Diva Vst Crack
Get Diva by u-he and learn how to use the plugin with Ableton Live, Logic, GarageBand, and FL Studio for free. U-he makes creative software synthesizers and effects. Catalina updates. January 27, 2020. We're releasing macOS Catalina ready updates for all of our plug-ins, either as completely new versions or as notarized re-releases of current stable versions.
Sep 05, 2019 u-he Diva v1.4.3.9033 VST AAX Size 37 Mb. Diva: Dinosaur Impersonating Virtual Analogue synthesizer. Diva captures the spirit of five decades of analogue synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modelled for unmatched analogue sound. DIVA – Dinosaur Impersonating Virtual Analogue Synthesizer. The oscillators, filters and envelopes closely model components found in some of the great monophonic and polyphonic synthesizers of yesteryear. Modules can be mixed and matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analogue sound. Jul 16, 2018 Diva is the first virtual synthesizer that uses the simulator methods of electronic circuits, such as PSpice, in real time. The behavior of filters with zero feedback delay clearly demonstrates the advantages of this grandiose approach. U-he Diva v1.4.1 WiN x86 x64 VST torrent. Information about the torrent u-he Diva v1.4.1 WiN x86 x64 VST.Seeders, leechers and torrent status is updated several times per day. If you want to download the torrent u-he Diva v1.4.1 WiN x86 x64 VST you will need a torrent client. Torrent Metasearch.
u-he Diva v1.4.3.9033 VST AAX
Size 37 Mb
Diva: Dinosaur Impersonating Virtual Analogue synthesizer.
Diva captures the spirit of five decades of analogue synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modelled for unmatched analogue sound. More than a single synthesizer: Recreate an old favourite or mix-and-match modules to design your unique hybrid.
Diva Features:
- Authentic, award-winning analogue sound
- Mix-and-match panels for custom layouts
- Per-voice oscillator detune and user-definable modulation source
- Zero delay feedback (ZDF) filter design for authentic resonance behaviour
- 3ADS(S)R envelope models based on classic synth hardware with keyboard follow and velocity scaling
- 5 oscillators models based on classic synth hardware
- 5 filter models based on classic synth hardware
- 2 host-syncable LFOs with multiple waveforms, restart options and phase controls
- 2 stereo effects slots, each with chorus (3 modes), phaser (2 modes), plate reverb, delay, rotary speaker
- Host-syncable arpeggiator with continuous rate offset, swing, various progression options
- MIDI learn page and editable list
- Resizable UI from 70% to 200%
- Over 1200 factory presets
Diva captures the spirit of various analogue synthesizers by letting the user select from a variety of alternative modules. The oscillators, filters and envelopes closely model components found in some of the greatest monophonic and polyphonic synthesizers of yesteryear. But what sets DIVA apart from other emulations is the sheer authenticity of her analogue sound. This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators in realtime.
Oscillators and Filters
The filters are at the heart of Diva’s analogue sound. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. (If you are interested, Urs wrote an in-depth blog post Link about ZDF.)
Diva models five different filters found in classic hardware synthesizer. All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options.
Like the filters, Diva’s oscillators are also modelled on classic hardware. The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad.
All five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options. Plus a few touches unique to each model.
Effects and envelopes
Oscillators and filters get your sound humming, but a little polish and refinement make it sing.
Switching oscillators and filters on or off like an organ would be very limiting. Envelopes provide more nuanced and engaging results. Diva has two slots—one dedicated to the amplifier, the other to the filter—both with three models to choose from. Craft gently rising sounds, notes that fade slowly into the distance, or sharp percussion. 3utools error code 13 rheem tankless water heater.
As a final touch you can put Diva’s two stereo effects slots to use. In keeping with the vintage feel, the available effects would be right at home in the studios of bygone days. Add space with the plate reverb and delay, or movement with the phaser, chorus and rotary speaker effects.
Subtle Details
Diva Vst Crack Windows
Small details can transform static, lifeless sounds into something much more lively and organic.
The Trimmers panel is where you can make your sounds feel more analogue. Control voice detuning per oscillator, adjust variance between individual voices (round robin), voice drift and more—adding life to your music. These options mirror the inherent variations in analogue hardware. As the circuit boards are not always 100% the same (due to component tolerances), oscillator tuning may differ slightly, some envelopes are a little less snappy. The individual effects may be subtle, but they add up to a more authentic analogue sound.
Dive into the Modifications panel for more modulation options and an opportunity to push Diva into more experimental and unusual territories. Modulation processors such as Invert, Add, Quantize and Lag open up fresh ideas for manipulating Diva. These capabilities take Diva beyond the original hardware that inspired it.
Diva’s oscillators, filters and envelopes (which can be mixed and matched) closely model components also found in some of the great monophonic and polyphonic synthesizers of yesteryear. “But,” says Urs, “what truly sets DIVA apart is the sheer authenticity of the circuit emulations – at the cost of a relatively high CPU-hit, DIVA is the first native software synth that applies methods from industrial circuit emulators (search for “PSpice”) in realtime. Especially the authentic behaviour of DIVA’s zero-delay-feedback filters, when pushed to the limits, demonstrates the advantages of this groundbreaking approach.”
u-he describes the available filters as “famous transistor ladder”, “screaming Sallen-Key”, “classic OTA ladder” and “OTA state-variable” (and similar for the oscillators), and owners of classic analogue synths will already know how best to apply these models – they are easily differentiated in the gorgeous user interface.
Since Version 1.3 Diva also features a Digital Oscillator, an “Uhbie” filter and a vintage-style Arpeggiator.